Esthetic utilitarianism and the Balanchine style
Article Abstract:
George Balanchine's teaching style did not teach a revolution in ballet's elemental technique. The key aspect of his style is an economy of movement which did not, however, mean a simplification of steps. Balanchine modified classical ballet technique and this enabled him to express more of a variety of human feelings. He was able to leave behind fantasy and enter real life. These were the conclusions of former Balanchine dancers in a symposium on Balanchine's contribution to their training held on Jan 4, 1996, at the New York Punblic Library.
Publication Name: Ballet Review
Subject: Arts, visual and performing
ISSN: 0522-0653
Year: 1996
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Balanchine and the moderns
Article Abstract:
George Balanchine as seen in most modern American and German dance groups has the gestures of primitive ritual or the miming of basic physiological activities. Balanchine revitalizes by bringing the Petipa ballet tradition close to present feelings. Balanchine's choreography sometimes seems similar to modern dance technique, but is in direct contrast. In the interrelations of the people on the stage can be seen a great difference between modern dance and the Balanchine style.
Publication Name: Ballet Review
Subject: Arts, visual and performing
ISSN: 0522-0653
Year: 1997
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Balanchine's apotheosis
Article Abstract:
The author uses a 1997 production of George Balanchine's 1962 ballet 'A Midsummer Night's Dream' to reflect on how this ballet was created. Excerpts from a 1978 interview with Balanchine, including his original intention to have the Virgin Mary appear at the end later changed to the middle, are discussed.
Publication Name: Ballet Review
Subject: Arts, visual and performing
ISSN: 0522-0653
Year: 2000
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- Abstracts: Designing for George Balanchine. Designing for George Balanchine: diaries of ballet productions. Designing for George Balanchine: diaries of ballet productions, part one: 'Brahms-Schoenberg Quartet;' 'Jewels;' "Chaconne" and "Elegie" on 'Dance in America.'
- Abstracts: Wilson's Snow on the Mesa and Graham's repertory. Ashton and Balanchine in Hartford. Martha Graham redux
- Abstracts: Pacific Northwest Ballet. Tudor's psyche. Melbourne
- Abstracts: William S. Burroughs at the Los Angeles County Museum of Art: pariah or pope? The lost myth of Gasterea
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