Isadora Duncan's influence on dance in Russia
Article Abstract:
The history of Russian dance cannot ignore the contribution of Isadora Duncan. Duncan began her career in the country during the 1920s and received public acclaim for her performances. Her unconventional style of dancing and daring attitude was at once appreciated and criticized by critics. Duncan inspired the foundation of the Rabenek company that performed abroad too. By 1949 Duncan could not withstand social and official criticism against her and this was the end of Duncan dance in Russia which was revived only during the latter part of the 20th century.
Publication Name: Dance Chronicle
Subject: Arts, visual and performing
ISSN: 0147-2526
Year: 1995
User Contributions:
Comment about this article or add new information about this topic:
Isadora Duncan, Berline and Munich in 1906: just an ordinary year in a dancer's career
Article Abstract:
Isadora Duncan had by 1906 reached the status of artistic institution in Germany. Both Berlin and Munich, the two centers of art in general and dance in particular in Germany, were familiar with her and she had given frequent performances in both cities. The critics, none of them specializing in dance, approached the field from the other arts but took the dance very seriously. Duncan's unconventional lifestyle was considered private and not presented for public consumption. How the critics received her in 1906 is treated in some detail.
Publication Name: Dance Chronicle
Subject: Arts, visual and performing
ISSN: 0147-2526
Year: 1995
User Contributions:
Comment about this article or add new information about this topic:
Expanding horizons: Techniques of choreo-graphy in nineteenth-century
Article Abstract:
The diversity and complexity of approaches used in the representation of dance production choreography in the nineteenth-century are described. The choreo-graphics of the nineteenth-century ballet masters were highly eclectic and highly idiosyncratic and their notational formats had to cope with a dance scene that had increased in both the technical complexity of its movements and the depiction of stories and characterizations.
Publication Name: Dance Chronicle
Subject: Arts, visual and performing
ISSN: 0147-2526
Year: 2006
User Contributions:
Comment about this article or add new information about this topic:
- Abstracts: "Arabian Coffee" in the land of the sweets. Bodies on the line: contact improvisation and techniques of nonviolent protest
- Abstracts: Robert Helpmann, dancer and choreographer, part one. Robert Helpmann, dancer and choreographer. Robert Helpmann, dancer and choreographer, part three
- Abstracts: Cunningham, Balanchine, and postmodern dance. Expression, rhythm and dance: a response to Gregory Scott. Beardsley, expression and dance: a reply to Gregory Scott
- Abstracts: New dance writing in Russia. Patricia Wilde and Pittsburgh Ballet Theatre. An 'Esmeralda' in Tallinn
- Abstracts: Streamline Design: The Essence of Speed. Designing Raymond Loewy: Elizabeth Reese remembered. Raymond Loewy: Designs for a Consumer Culture