Call Me/It Ishmael: the sound of recognition in 'Call It Sleep' and 'Invisible Man.' (novels by Henry Roth and Ralph Ellison)
Article Abstract:
Ralph Ellison's 'Invisible Man' (1947) and Henry Roth's 'Call It Sleep' (1934) are similar in that both novels ask to be read as examples of notable American fiction and not just as representative works from the genre that is termed 'ethnic' literature. Both works are also characterized by a complex interrelationship between group identity and language that is typical of many modern narratives. As such, both novels can be seen as works that exhibit a certain impatience with the notion that ethnicity, literary history and narrative style should remain somewhat static.
Publication Name: Prospects
Subject: Ethnic, cultural, racial issues/studies
ISSN: 0361-2333
Year: 1995
User Contributions:
Comment about this article or add new information about this topic:
Charles W. Chesnutt's 'The Colonel's Dream': the failure of critical realism
Article Abstract:
An analysis is presented on 'The Colonel's Dream', published in 1905 by the African American author Charles W. Chesnutt. The article explores Chesnutt's dispensing with southern vernacular and folk topics to focus on more serious issues such as economic status and voting rights, and the negative reviews the book generated because of this change.
Publication Name: Prospects
Subject: Ethnic, cultural, racial issues/studies
ISSN: 0361-2333
Year: 2000
User Contributions:
Comment about this article or add new information about this topic:
- Abstracts: 'Asian Drama': The pursuit of modernization in India and Indonesia. How is India doing? A score card
- Abstracts: CEOs learn to compete by diversifying beyond the bounds of traditional store selling. One size doesn't fit all
- Abstracts: Sex and evolution in Willa Cather's 'O Pioneers!' and 'The Song of the Lark'. Making minstrelsy of murder: George Washington Harris, the Ku Klux Klan, and the Reconstruction aesthetic of black fright
- Abstracts: True to life: Life magazine's coverage of African Americans, 1936-40. "A basic unity of experience": the Jewishness of Ralph Ellison and the 'Invisible Man'