'Sweet power of music': the political magic of 'the miraculous harp' in Shakespeare's 'The Tempest.'
Article Abstract:
William Shakespeare envisioned a utopia ruled by a benevolent magician in his play 'The Tempest.' The figure of Prospero may have been based on the Greek mythological figure of Orpheus, who supposedly charmed beasts and inanimate objects with his music. The play itself is set in an idyllic pastoral landscape, where Prospero has succeeded in imposing a sort of order despite his failure as a ruler in Milan. Thus, Shakespeare may have hinted at government reform with this reference to an idealized place that is suffused with ethereal music.
Publication Name: Comparative Drama
Subject: Literature/writing
ISSN: 0010-4078
Year: 1995
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"My charms crack not": the alchemical structure of 'The Tempest.'
Article Abstract:
The performance of 'The Alchemist' and 'The Tempest' by Shakespeare's company within the same year indicates widespread public interest in alchemic practice during the Renaissance. There are indications that Shakespeare might also have wanted to juxtapose the successful alchemist Prospero to playwright Ben Johnson's false alchemist, Subtle.
Publication Name: Comparative Drama
Subject: Literature/writing
ISSN: 0010-4078
Year: 1997
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'The Tempest,' Plautus, and the 'Rudens'
Article Abstract:
The author argues William Shakespeare used the 'Rudens' by the ancient Roman playwright Plautus as his primary source for 'The Tempest.' Shakespeare's familiarity with Plautus, similar plot devices and themes, and added elements are discussed.
Publication Name: Comparative Drama
Subject: Literature/writing
ISSN: 0010-4078
Year: 1999
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