Waka wars: quarrels in an inner space
Article Abstract:
Lyric interpretations of Japanese waka best bring out the important role of emotion in these poems. Significant discussion of the waka genre of Japanese poetry is found in 'Japanese Court Poetry' by Robert H. Brower and Earl Miner (1961), a 1986 article by Mark Morris and a 1991 article by Judith Rabinovitch in the Harvard Journal of Asiatic Studies, the English translation of Konishi Jin'ichi's work on the history of Japanese literature, a 1989 anthology by Steven D. Carter entitled 'Waiting for the Wind,' and 'Kyogoku Tamekane: Poetry and Politics in Late Kamakura Japan' (1989) by Robert N. Huey.
Publication Name: Harvard Journal of Asiatic Studies
Subject: Regional focus/area studies
ISSN: 0073-0548
Year: 1995
User Contributions:
Comment about this article or add new information about this topic:
Domyaku Sensei and "The Housemaid's Ballad" (1769)
Article Abstract:
Japanese "mad poetry," or kyoshi, is intended to amuse, not promote virtue. Kyoshi popularity increased after 1800. The comic genre did not disappear after the lapse of the Tokugawa regime and remains an expression of the last phases of Tokugawa rule. The publication of Domayaku Sensei's 'Taihei gafu' provided classics for a new genre.
Publication Name: Harvard Journal of Asiatic Studies
Subject: Regional focus/area studies
ISSN: 0073-0548
Year: 1998
User Contributions:
Comment about this article or add new information about this topic:
- Abstracts: Putting stones in place: Anne Duden and German acts of memory. "Lab mich sein, was ich bin": Karoline Schulze-Kummerfeld's performance of a lifetime
- Abstracts: The Haitian revolution and the sale of Louisiana. The Franco-African peoples of Haiti and Louisiana. Creole Louisiana's Haitian exile(s)
- Abstracts: Colophons in countermotion: poems by Su Shih and Huang T'ing-chien on paintings. Meaning beyond words: games and poems in the northern Song
- Abstracts: Songs as weapons: the culture and history of Komori (nursemaids) in modern Japan. Knowledge, power, and racial classifications: the "Japanese" in "Manchuria"
- Abstracts: Wandering in/to the rubble-film: Filmic flanerie and the exploded panorama after 1945. Rubble canyons: 'Die Morder sind unter uns' and the Western