Comparative Drama 1992 |
Title | Subject | Authors |
"A beggar's book/ Outworths a noble's blood": the politics of faction in Henry VIII. | Literature/writing | Kurland, Stuart M. |
August Strindberg: a modernist in spite of himself. | Literature/writing | Stockenstrom, Goran |
Contemporary contexts of Jonson's 'The Devil Is an Ass.' (Ben Jonson's play) | Literature/writing | Evans, Robert C. |
Falstaff's false staff: "Jonsonian" asexuality in 'The Merry Wives of Windsor.' | Literature/writing | Tiffany, Grace |
Frame structure in 'The Conversion of St. Paul.' | Literature/writing | Scherb, Victor I. |
"Lamentable tragedy mixed ful of pleasant mirth": the enigma of 'Cambises.' (16th century English play) | Literature/writing | Norland, Howard B. |
Memory and madness in Pirandello's Enrico IV. (Luigi Pirandello) | Literature/writing | Mazzaro, Jerome |
Performers and performance in the earliest serious secular plays in the Netherlands. | Literature/writing | Hummelen, Willem M.H. |
Radical mimesis: the "Pinter problem" revisited. | Literature/writing | Saltz, David Z. |
"Some shall be pardon'd, and some punished": medieval dramatic eschatology in Shakespeare. | Literature/writing | Velz, John W. |
Structure, characterization, and the new community in four plays of Jesus and the Doctors. | Literature/writing | Kline, Daniel T. |
Suicide as message and metadrama in English Renaissance tragedy. | Literature/writing | Sanderson, Richard K. |
The Protean Prince Hal. (in Shakespeare's 'Henry IV') | Literature/writing | Wikander, Matthew H. |
The 'Regnum Humanitatis' trilogy: a humanist manifesto. (Jacob Gretser) | Literature/writing | Devlin, Eugene J. |
Windings and turnings: the metaphoric labyrinth of Restoration dramatic theory. | Literature/writing | Shershow, Scott Cutler |
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