| Dance Chronicle 1999 |
| Title | Subject | Authors |
|---|
| Borlin, masculinity, and 'L'Homme et son desir.'(Jean Borlin, a Reevaluation) | Arts, visual and performing | Batson, Charles R. |
| Cavalieri's theatrical 'ballo' and the social dances of Caroso and Negri.(Emiliode Cavalieri, Fabritio Caroso, Cesare Negri) | Arts, visual and performing | Nevile, Jennifer |
| Dancing for joy; a memoir.(part 2) | Arts, visual and performing | Kelly, Brigitte |
| Dancing for joy: a memoir, part one. | Arts, visual and performing | Kelly, Brigitte |
| Dancing for joy: a memoir, part three. | Arts, visual and performing | Kelly, Brigitte |
| "Giving dance room to breathe": dance-music relationships in Siobhan Davies' Choreography, 1972-1979. | Arts, visual and performing | Preston, Sophia |
| Interpreting Jean Borlin's 'Dervishes': masculine subjectivity and the queer male dancing body.(Jean Borlin, a Reevaluation) | Arts, visual and performing | Burt, Ramsay |
| Jean Borlin as dancer and choreographer.(Jean Borlin, a Reevaluation) | Arts, visual and performing | Dorris, George |
| Notes on 'Giselle' and 'Paquita': the probable authorship of the E-major variation in Act 1 of 'Giselle' and problems arising from the Grand Pas from 'Paquita'.(ballets)(Critical Essay) | Arts, visual and performing | Edgecombe, Rodney Stenning |
| The choreography of Jean Borlin, a checklist with the tours and personnel of Les Ballets Suedois.(Jean Borlin, a Reevaluation) | Arts, visual and performing | Dorris, George |
| The evolution of the arabesque in dance. | Arts, visual and performing | Falcone, Francesca |
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