Journal of Film and Video 1992 |
Title | Subject | Authors |
Adela Sequeyro, Mexican film pioneer. | Motion pictures | Alfaro, Eduardo Vega de la, Martin, Patricia Torres San, Burton-Carvajal Julianne |
A descriptive chronology of films by women in Venezuela, 1952-92. | Motion pictures | Schwartzman, Karen |
An interview with Margot Benacerraf: 'Reveron,' 'Araya,' and the institutionalization of cinema in Venezuela. (Interview) | Motion pictures | Schwartzman, Karen, Calderon, Harel, Burton-Carvajal, Julianne |
An interview with Maria Luisa Bemberg. (Interview) | Motion pictures | Pick, Zuzana M. |
At the crossroads. (Soviet cinema in the glasnost era) | Motion pictures | Gourevich, Leonid |
Fascinating machismo: toward an unmasking of heterosexual masculinity in Arturo Ripstein's 'El lugar sin limites.' | Motion pictures | Mora, Sergio de la |
Filmmaking, teaching, and the colonial experience: an immigrant's account from "English" Canada of a story of American success. (prospects for the Canadian film industry) | Motion pictures | Cameron, Evan William |
From portapak to camcorder: a brief history of guerrilla television. (independent television documentaries) | Motion pictures | Boyle, Deirdre |
From zygote to global cinema via Su Friedrich's films. (American independent filmmaker; includes critique of Peter Watkin's film The Journey) | Motion pictures | MacDonald, Scott |
Hochschule fur Film und Fernsehen (Babelsberg). (East German film and television school) | Motion pictures | Neumann, Roland |
'I'm a Cansino': transformation, ethnicity, and authenticity in the construction of Rita Hayworth, American love goddess. (Margarita Carmen Cansino, Rita Hayworth's real name) | Motion pictures | McLean, Adrienne L. |
Readerly and writerly 'Letters From the Park.' (analysis of 'Cartas del parque,' based on Gabriel Garcia Marquez's story) | Motion pictures | Conde, Susana |
Reconstructing Vertov: Soviet film theory and American radical documentary. (Soviet documentary filmmaker Dziga Vertov) | Motion pictures | Zimmermann, Patricia R. |
'Represento el pasado': political melodrama and Jesus Diaz's 'Lejania.' | Motion pictures | Silcox, S. Travis |
Speaking for, speaking about, speaking with, or speaking alongside: an anthropological documentary dilemma. (reexamination of the social role of documentary filmmakers) | Motion pictures | Ruby, Jay |
The main tendencies of the film education system in perestroika. (Soviet film schools) | Motion pictures | Drobashenko, S., Sadchikov, I. |
The unknown cinema: documentary screen, glasnost era. (Soviet documentaries) | Motion pictures | Mouratov, Sergei |
'The world in a drop of water': the feminist vision of Patricia Howell. | Motion pictures | Holmlund, Chris |
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