Leonardo Music Journal 2003 |
Title | Subject | Authors |
Christian Marclay's early years: an interview.(Interview) | Science and technology | Kahn, Douglas |
Damaged sound: glitching and skipping compact discs in the audio of Yasunao Tone, Nicholas Collins and Oval. | Science and technology | Stuart, Caleb |
Displaced soundscapes: a survey of network systems for music and sonic art creation. | Science and technology | Barbosa, Alvaro |
Early musical impressions from both sides of the loudspeaker. | Science and technology | Freire, Sergio |
Hand-luggage: for a generative theory of artifacts.(Theorie der Werkgenese) | Science and technology | Schulze, Holger |
John Cage and recording. | Science and technology | Tone, Yasunao |
Mediating (through) imagination: web-based sound art. | Science and technology | Reddell, Trace |
Performance space meets cyberspace: seeking the creative idiom and technical model for live music on broadband. | Science and technology | Bussiere, Michael |
Recursive audio cutting. | Science and technology | Collins, Nick |
Regenerative feedback in the medium of radio: study 1.0 (FM) for Radio Transceiver. | Science and technology | Burtner, Matthew |
Splitting bits, closing loops: sound on sound. | Science and technology | Sherburne, Philip |
The Gallbladder Sonata: transmission time on the Internet. | Science and technology | Corcoran, Marlena |
The influence of recording technologies on the early development of electroacoustic music. | Science and technology | Manning, Peter |
The music of the sphere: an investigation into asymptotic harmonics, brainwave entrainment and the earth as a giant bell. | Science and technology | First, David |
TOHU BOHU: considerations on the nature of noise, in 78 fragments. | Science and technology | Hinant, Guy-Marc |
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