Abstracts - faqs.org

Abstracts

Arts, visual and performing

Search abstracts:
Abstracts » Arts, visual and performing

"A license to do anything": Robert Rauschenberg and the Merce Cunningham Dance Company

Article Abstract:

Robert Rauschenberg had a substantial influence on the Merce Cunningham Dance Company during his tenure there as a scenic, lighting and costume designer and stage manager between 1954 and 1964. Rauschenberg used his time with the company to expand visual arts' role on the Cunningham aesthetic and in the theater in general. His work stretched traditional boundaries between sets, properties and costumes as well as distinctions between the materials of dance and those of art. In his work with Cunningham, Rauschenberg could create art which was active, not static.

Author: Potter, Michelle
Publisher: Marcel Dekker, Inc.
Publication Name: Dance Chronicle
Subject: Arts, visual and performing
ISSN: 0147-2526
Year: 1993
Influence, Rauschenberg, Robert, Merce Cunningham Dance Company

User Contributions:

Comment about this article or add new information about this topic:

CAPTCHA


Merce Cunningham's 'The Seasons.'

Article Abstract:

'The Seasons' was a production by the Ballet Society run by Merce Cunningham and John Cage. The ballet was directed by Lincoln Kirstein in the form of a traditional ballet. Although the piece was short, the themes of heroism and valor were well brought out. Eastern influences also shaped the directions of the ballet.

Author: Vaughan, David
Publisher: Marcel Dekker, Inc.
Publication Name: Dance Chronicle
Subject: Arts, visual and performing
ISSN: 0147-2526
Year: 1995
Practice, Criticism and interpretation, The Seasons (Ballet)

User Contributions:

Comment about this article or add new information about this topic:

CAPTCHA


A conversation with Merce Cunningham

Article Abstract:

An interview with the modern dance choreographer Merce Cunningham on Aug 24, 1999's "The News Hour with Jim Lehrer is presented. Cunningham is often criticized as too modern and his dances as independent of any rhythm and theme. However, he has acquired many admirers over his four decades of work.

Author: Farnsworth, Elizabeth
Publisher: Dance Research Foundation Inc.
Publication Name: Ballet Review
Subject: Arts, visual and performing
ISSN: 0522-0653
Year: 1999
Interview

User Contributions:

Comment about this article or add new information about this topic:

CAPTCHA


Subjects list: History, Modern dance, Cunningham, Merce
Similar abstracts:
  • Abstracts: Hans Beck. One out of many? Bournonville, Paul Taglioni, and the ballet of the mid-nineteenth century. Asaf and Sulamith Messerer's 1933 European tour
  • Abstracts: A nineteenth-century dancing master at the Court of Wurttemberg: the dance notebooks of Michel St. Leon. The Jack Cole notebooks
  • Abstracts: Bronislava Nijinska and the Polish Ballet, 1937-1938: missing chapter of the legacy. Hanya Holm
  • Abstracts: Martin Munkacsi. Barbara Morgan: "touched with light." (Obituary) Remembrance: Cole Weston 1919-2003
This website is not affiliated with document authors or copyright owners. This page is provided for informational purposes only. Unintentional errors are possible.
Some parts © 2025 Advameg, Inc.