The English Pater Noster play: evidence and extrapolations

Article Abstract:

The subject matter of the 15th century English Pater Noster play is that of the allegorical morality genre, while the staging, involving a series of pageants or processionals, imposes an episodic form. These two elements together may allow the play to be classified as a north-eastern sub-genre of the English morality play. Low Country influence is apparent in form, subject and geography. The staging and general organization is also similar to the Corpus Christi plays. More research on many details needs to be done.

English literature, 1100-1485 (Middle English period), Middle English period, 1100-1500

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Feasting on Ayre: community, consumption, and communion in 'The Shoemaker's Holiday.'

Article Abstract:

Thomas Dekker's play 'The Shoemaker's Holiday' can be seen from the viewpoint of the Native American ceremony of potlatch. The character Simon Eyre's speech to the King near the end of the play suggest a religious observance by exchanging wealth for food, a similar custom to Native American rituals where the wealthiest member of the tribe held a feast at which all his wealth was given away. Dekker's play implies Eyre is being literally as well as symbolically consumed.

Social aspects, Native Americans, Rites, ceremonies and celebrations, Native North Americans, Potlatch, Dekker, Thomas (English playwright)

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Marlowe's 'Edward II' and the medieval passion play

Article Abstract:

Christopher Marlowe portrayed the collapse of Edward II's monarchy with unusual naturalism, showing how human weakness and desire for power, rather than supernatural forces, were responsible for a king's downfall. However, Marlowe also relied on imagery from medieval passion plays, portraying the tortured and murdered Edward as Jesus Christ. The evocation of religious elements and historical events mad a seamless, powerful text.

Influence, Portrayals, Kings and rulers, Kings, Marlowe, Christopher, Passion-plays, Passion plays

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