'No Hay Banda, and yet We hear a Band': David Lynch's reversal of coherence in Mulholland Drive

Article Abstract:

The study presented relates David Lynch's aesthetics to poststructural theory and then applies these correlated aesthetics in the reading of the character of Rita and of the Club Silencio scene and setting. The film 'Mulholland Drive' is reviewed in which Lynch successfully reversed coherences, skillfully constructing a mesmerizing puzzle propelling the masses through a mysterious labyrinth of sensual experiences.

Mulholland Drive (Motion picture)

---

An oneric figure: The various logics of Mulholland drive

Article Abstract:

The various logics of David Lynch's film Mulholland Drive is analyzed by briefly summarizing its narrative as a linear structure. It is reported that contrary to the film's reviews, Mulholland Drive is full of narrative significance that is an intentionally packed constellation of possibilities some of which are formal and nondiegetic.

Mulholland Drive (Motion picture)

---

The Pidcaro in Paris: The Discreet Charm of the Bourgeoisie and the Picaresque Tradition

Article Abstract:

Motion picture portrayals of the French middle class in the Picaresque tradition are examined. Topics include French filmmakers, social order, and personal freedoms.

France, Motion picture industry, Movie industry, Portrayals, Movie producers (Persons), Middle classes, Middle class, Picaresque literature, Foreign films, Foreign language movies

Similar abstracts:

• Abstracts: An amateur of quality: postwar French cinema and Jean-Pierre Melville's Le Silence de la mer. Traversing cinematic borders: An interview with Paul Espinosa
• Abstracts: An interview with Margot Benacerraf: 'Reveron,' 'Araya,' and the institutionalization of cinema in Venezuela. Filming ... 'and the earth did not swallow him': an interview with Severo Perez

This website is not affiliated with document authors or copyright owners. This page is provided for informational purposes only. Unintentional errors are possible.