| Journal of Film and Video 1996 |
| Title | Subject | Authors |
| College course file: Studies in Genre - horror. | Motion pictures | Olson, Scott R. |
| Dialogue replacement for student productions. | Motion pictures | Hank, Stephen |
| Hitchcock's melodramatic silence. | Motion pictures | Hemmeter, Thomas |
| Home video and film: the case of 'Who Framed Roger Rabbit.' | Motion pictures | Tashiro, Charles |
| Local government regulation of the movies: the Dallas system, 1966-93.(classification of films) | Motion pictures | O'Leary, Brian |
| Making contact: working with the White Mountain Apache on 'Indian Summer.' | Motion pictures | Sabal, Rob |
| Recreational terror: postmodern elements of the contemporary horror film. | Motion pictures | Pinedo, Isabel |
| Rich and strange: the yuppie horror film. | Motion pictures | Grant, Barry Keith |
| Silencing the new woman: ethnic and social mobility in the melodramas of Norma Talmadge.(actress) | Motion pictures | Smith, Greg M. |
| Teaching film and television in developing nations: a Malaysian case study. | Motion pictures | Hooper, Robert A. |
| The impact of digital video technology on production: the case of 'American Gothic.' | Motion pictures | Fink, Edward J. |
| What a trip: the road film and American culture. | Motion pictures | Laderman, David |
| 'Woman Speaks': representations of working women in postwar America. | Motion pictures | Kalas, Andrea, Berenstein, Rhona J. |
| Women behind the camera: an interview with Leslie Hill.(Interview) | Motion pictures | Krasilovsky, Alexis |
| 'You'll see it just as I saw it': voyeurism, fetishism, and the female spectator in 'Lady in the Lake.'(1947 film) | Motion pictures | Williamson, Catherine |
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