| Journal of Film and Video 2004 |
| Title | Subject | Authors |
|---|
| A big fat indie success story? Press discourses surrounding the making and marketing of a "Hollywood" movie.(My Big Fat Greek Wedding) | Motion pictures | Perren, Alisa |
| An oneric figure: The various logics of Mulholland drive. | Motion pictures | Andrews, David |
| A River Runs Through It: Metanarrative and self-discovery. | Motion pictures | Kupfer, Joseph |
| Camp for camp's sake: Absolutely Fabulous, self-consciousness, and the Mae West debate. | Motion pictures | Schuyler, MIchael T. |
| Dead-end days: The sacrifice of displaced workers on film. | Motion pictures | King, Neal |
| Domesticating madness, revisiting polishness: The cinema of Marek Koterski. | Motion pictures | Mazierska, Ewa |
| From evidentiary presentation to art-ful re-presentation: Media images, civil rights documentaries, and the audiovisual writing of history. | Motion pictures | Brasell, Bruce R. |
| Gunning for a new slow motion: The 45-degree shutter and the representation of violence. | Motion pictures | Peebles, Stacey |
| 'No Hay Banda, and yet We hear a Band': David Lynch's reversal of coherence in Mulholland Drive. | Motion pictures | Hudosn, Jennifer A. |
| On gone with the wind, Selznick, and the art of 'Mickey Mousing': An interview with Max Steiner.(Interview) | Motion pictures | Schreibman, Myrl A. |
| Seeing double: Stunt performance and masculinity. | Motion pictures | Smith, Jacob |
| "Serving" American orientalism: Negotiating identities in The Courtship of Eddie's Father. | Motion pictures | Kim, L.S. |
| The sense of an ending: Youth apocalypse films. | Motion pictures | Benjamin, Richard |
| Ugly Americans in togas: Imperial anxiety in the cold war Hollywood epic. | Motion pictures | Murphy, Geraldine |
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