Ugly Americans in togas: Imperial anxiety in the cold war Hollywood epic
Article Abstract:
Toga films express the American anxiety of empire, narrating the cold war and also registering tensions within the Western bloc between the old imperial powers, particularly Great Britain and the American superpower. The toga films, which are mostly religious epics that retell Old and New Testament stories or intersect with them in some way, include Ben-Hur and Spartacus.
Publication Name: Journal of Film and Video
Subject: Motion pictures
ISSN: 0742-4671
Year: 2004
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A big fat indie success story? Press discourses surrounding the making and marketing of a "Hollywood" movie
Article Abstract:
An alternative perspective on the production and distribution of 'My Big Fat Greek Wedding' is provided. It is argued that the standard accounts provided by most media outlets have not only constructed partial stories about the film, but they have reinforced a number of inaccuracies and misperceptions about the operations of the contemporary media industries.
Publication Name: Journal of Film and Video
Subject: Motion pictures
ISSN: 0742-4671
Year: 2004
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From Hollywood to Hester Street: ghetto film, melodrama, and the image of the assimilated Jew in 'Hungry Hearts'
Article Abstract:
The 1922 film adaptation of Anzia Yezierska's short story collection 'Hungry Hearts' used melodrama to show how the immigrant experience is central to producing the American Dream. Many Americans in the early 20th century saw immigration as the main threat to US prosperity, and many immigrants responded by assimilating as quickly as possible.
Publication Name: Journal of Film and Video
Subject: Motion pictures
ISSN: 0742-4671
Year: 1998
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- Abstracts: Different, except in a different way: marriage, divorce, and gender in the Hollywood comedy of remarriage. The question of Third Cinema: African and Middle Eastern cinema
- Abstracts: Fascinating machismo: toward an unmasking of heterosexual masculinity in Arturo Ripstein's 'El lugar sin limites.'