Dance Chronicle 2006 |
Title | Subject | Authors |
Ashton and Macmillan in fairyland: Contrasting styles in Le Baiser De La Fee. | Arts, visual and performing | Morris, Geraldine |
August Bournonville: Etudes choregraphiques (1848, 1855, 1861). | Arts, visual and performing | Jurgensen, Knud Arne |
Bournonville and the pictorial arts: Raphael.(August Bournonville) | Arts, visual and performing | Norlyng, Ole |
Bournonville concerns: The future of Bournonville past. | Arts, visual and performing | Guest, Ann Hutchinson |
Bournonville in the twenty-first century: A panel with Monna Dithmer, Frank Andersen, Anne Middelboe Christensen, Nikolaj Hubbe, Anna Kisselgoff, Thomas Lund, and Peter Schaufuss.(Discussion) | Arts, visual and performing | |
Cunningham, Balanchine, and postmodern dance.(Merce Cunningham)(George Balanchine) | Arts, visual and performing | Carroll, Noel, Banes, Sally |
Discussion with Sandra Noll Hammond and Francesca Falcone.(Interview) | Arts, visual and performing | Dorris, George |
Divertimento from Le Baiser de la Fee: Ghost stories. | Arts, visual and performing | Jordan, Stephanie |
Expanding horizons: Techniques of choreo-graphy in nineteenth-century. | Arts, visual and performing | Jeschke, Claudia, Atwood, Robert |
Fifty years of looking at Bournonville: A conversation with Clive Barnes.(Interview) | Arts, visual and performing | Dorris, George, Mork, Ebbe |
Frank Andersen, Director of the Royal Danish Ballet.(Speech) | Arts, visual and performing | |
Hans Beck. | Arts, visual and performing | Jurgensen, Knud Arne |
Harald Lander, Valborg Borchsenius, and August Bournonville, or how to behave in Bournonville's world. | Arts, visual and performing | Aschengreen, Erik |
Making a place for joy: Reflections on the third Bournonville festival. | Arts, visual and performing | Anderson, Jack |
One out of many? Bournonville, Paul Taglioni, and the ballet of the mid-nineteenth century.(August Bournonville ) | Arts, visual and performing | Oberzaucher-Schuller, Gunhild |
Opening remarks: George Dorris and Erik Aschengreen.(Speech) | Arts, visual and performing | |
Staging Bournonville at home and abroad: Tobi Tobias, with Dinna Bjorn and Frank Anderson.(Interview) | Arts, visual and performing | |
Stepping into the future.(Royal Danish Ballet) | Arts, visual and performing | Dithmer, Monna |
The artists of 1805: The theatrical collaboration of Andersen, Bournonville, and Hartmann. | Arts, visual and performing | Jurgensen, Knud Arne |
The Bournonville Pillow: Hans Brenaa, Kirsten Ralov, and the Frank Andersen crew.(August Bournonville) | Arts, visual and performing | Christensen, Anne Middelboe |
The Bournonville Schools: A new look: A panel with Erik Aschengreen, Dinna Bjorn, Thomas Lund, Anne Marie Vessel Schluter, and Flemming Ryberg.(Discussion) | Arts, visual and performing | |
The freestyle dance class of Eugene Loring. | Arts, visual and performing | Boross, Robert |
The French style and the period. | Arts, visual and performing | Hammond, Sandra Noll |
The Italian style and the period. | Arts, visual and performing | Falcone, Francesca |
The Jooss-Leeder School at Dartington Hall. | Arts, visual and performing | Guest, Ann Hutchison |
Welcome: Michael Christiansen, Director of the Royal Theater.(August Bournonville Symposium )(Speech) | Arts, visual and performing | |
William Forsythe and the lost Stuttgart Ballets. | Arts, visual and performing | Nugent, Ann |
Working in the house of Bournonville, 1874-2005: A conversation with John Neumier.(Interview) | Arts, visual and performing | Aschengreen, Erik |
This website is not affiliated with document authors or copyright owners. This page is provided for informational purposes only. Unintentional errors are possible.