| Leonardo Music Journal 1999 |
| Title | Subject | Authors |
|---|
| Beyond Asian American jazz: my musical and political changes in the Asian American movement.(Power and Responsibility: Politics, Identity and Technology in Music)(Critical Essay) | Science and technology | Ho, Fred |
| BMB con.: collaborative experiences with sound, image and space.(Power and Responsibility: Politics, Identity and Technology in Music)(Critical Essay) | Science and technology | Bennett, Justin |
| Change over time: responsibility and power in the midst of catastrophe.(Power and Responsibility: Politics, Identity and Technology in Music)(Critical Essay) | Science and technology | Warde, Ann |
| Exploring the self through algorithmic composition.(Power and Responsibility: Politics, Identity and Technology in Music)(Critical Essay) | Science and technology | Alsop, Roger |
| Facing the music: perspectives on machine-composed music.(Power and Responsibility: Politics, Identity and Technology in Music)(Critical Essay)(Illustration) | Science and technology | Cope, David |
| Faust music on line: an approach to real-time collective composition on the Internet.(Power and Responsibility: Politics, Identity and Technology in Music)(Critical Essay) | Science and technology | Jorda, Sergi |
| Free enterprise: virtual capital and counterfeit music at the end of the century.(Power and Responsibility: Politics, Identity and Technology in Music)(Critical Essay) | Science and technology | Trayle, Mark |
| Global village, local universe: a statement of identity.(Power and Responsibility: Politics, Identity and Technology in Music)(Critical Essay) | Science and technology | Fischman, Rajmil |
| Grass Roots.(Power and Responsibility: Politics, Identity and Technology in Music)(Illustration) | Science and technology | Bobrowski, Krystyna |
| Improvising machines: 'Spectral Dance' and 'Token Objects'.(Power and Responsibility: Politics, Identity and Technology in Music)(Critical Essay) | Science and technology | Schiemer, Greg |
| Making music on the Web.(Power and Responsibility: Politics, Identity and Technology in Music) | Science and technology | Duckworth, William |
| Marx Bro.(Power and Responsibility: Politics, Identity and Technology in Music)(Critical Essay) | Science and technology | Goode, Daniel |
| Music, language and environment.(Power and Responsibility: Politics, Identity and Technology in Music)(Interview) | Science and technology | Peer, Rene van |
| Parma Manifesto.(Power and Responsibility: Politics, Identity and Technology in Music) | Science and technology | Rzewski, Frederic |
| 'Reunion': John Cage, Marcel Duchamp, electronic music and chess.(Power and Responsibility: Politics, Identity and Technology in Music)(Critical Essay) | Science and technology | Cross, Lowell |
| Symphony orchestras and artist-prophets: cultural isomorphism and the allocation of power in music.(Power and Responsibility: Politics, Identity and Technology in Music)(Critical Essay) | Science and technology | Osborne, William |
| 'Talking Drum': a local area network music installation.(Power and Responsibility: Politics, Identity and Technology in Music)(Critical Essay) | Science and technology | Brown, Chris |
| The aesthetics and technological aspects of virtual musical instruments: the case of the SuperPolm MIDI violin.(Power and Responsibility: Politics, Identity and Technology in Music)(musical instrument digital interface)(Critical Essay) | Science and technology | Goto, Suguru |
| The cultural role and communicative properties of scientifically derived compositional theories.(Power and Responsibility: Politics, Identity and Technology in Music)(Critical Essay) | Science and technology | Tanzi, Dante |
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