| Novel 2001 |
| Title | Subject | Authors |
|---|
| At home in England, or projecting liberal citizenship in Moll Flanders. | Literature/writing | Yahav-Brown, Amit |
| Dislocating literature: the novel and the Gretna Green romance, 1770-1850. | Literature/writing | O'Connell, Lisa |
| Edgeworth's Ireland: history, popular culture, and secret codes.(The Romantic-era Novel)(Maria Edgeworth)(Critical Essay) | Literature/writing | Butler, Marilyn |
| Homo-formalism: analogy in 'The Sacred Fount.'(The Turn-of-the-Century American Novel)(Critical Essay) | Literature/writing | Margolis, Stacey |
| "Let me make the novels of a country": Barbauld's 'The British Novelists' (1810/1820).(The Romantic-era Novel)(Anna Barbauld)(Critical Essay) | Literature/writing | Johnson, Claudia L. |
| Maria Edgeworth and the romance of real life.(The Romantic-era Novel)(Critical Essay) | Literature/writing | Gamer, Michael |
| Metaphoricity and the romance of property in 'The Old Manor House'.(The Romantic-era Novel)(Critical Essay) | Literature/writing | Labbe, Jacqueline M. |
| Mrs. Dalloway, the dictator, and the relativity paradox. | Literature/writing | Herbert, Christopher |
| Novels and systems.(The Romantic-era Novel)(Critical Essay) | Literature/writing | Siskin, Clifford |
| "Out of the medium in which books breathe": the contours of formalism and 'The Golden Bowl.'(The Turn-of-the-Century American Novel)(Critical Essay) | Literature/writing | Davis, Theo |
| Superfluity and suction: the problem with saving in The Mill on the Floss. | Literature/writing | Kreisel, Deanna |
| Technologies of vision in Henry James's 'What Maisie Knew.'(The Turn-of-the-Century American Novel)(Critical Essay) | Literature/writing | Britzolakis, Christina |
| The geography of violence: historical fiction and the national question.(The Romantic-era Novel)(Critical Essay) | Literature/writing | Edwards, Simon |
| The work of art: irony and identification in 'Let Us Now Praise Famous Men.'(The Turn-of-the-Century American Novel)(Critical Essay) | Literature/writing | Quinn, Jeanne Follansbee |
| "Unhuman humanity": bodies of the urban poor and the collapse of realist legibility.(The Turn-of-the-Century American Novel)(Critical Essay) | Literature/writing | Entin, Joseph |
| "Verily the antipodes of home": the domestic novel on the Australian bush. | Literature/writing | Myers, Janet C. |
| What is a romantic novel?(The Romantic-era Novel)(Critical Essay) | Literature/writing | Miles, Robert |
| "You heard her, you ain't blind": seeing what's said in 'Their Eyes Were Watching God.'(The Turn-of-the-Century American Novel)(Critical Essay) | Literature/writing | Burrows, Stuart |
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