Loie Fuller's influence on F.T. Marinetti's Futurist dance

Article Abstract:

Dancer Loie Fuller prefigured theatrical techniques described in F.T. Marinetti's 1909 "Founding and Manifesto of Futurism." Fuller revolutionized performance style by creating special effects with light and costume. Futurist F.T. Marinetti admired Fuller and believed old artistic forms needed to be discarded. New forms should reflect excitement for technology. Fuller danced for the Parisian Folies-Bergere in the late 19th century.

Marinetti, F.T.

---

Buckminster Fuller: experience and experiencing

Article Abstract:

The daughter of R. Buckminster Fuller describes her process of learning about dance, which was shaped by her father, who believed in experiential and self-generated learning. The relationship between the mind and physical experience is the key to education, according to this way of thinking. Buckminster Fuller's thinking was an integration of his mind and body, which his daughter carried into her own work as a dance ethnologist.

Personal narratives, Behavior, Fathers and daughters, Father-daughter relations, Fuller, R. Buckminster, Dance teachers

---

Revolutionaries of the theatrical experience: Fuller and the Futurists

Article Abstract:

Forms of theatrical performance developed by Loie Fuller and the Futurists are remarkably similar. Fuller danced in Paris in the late 19th century. Her performances were marked by special lighting effects, unique costumes, and energetic movement. The Futurists in the early 20th century used objects to dramatically reflect natural forces and create new artistic realities.

History, Experimental theater

Similar abstracts:

• Abstracts: American Dance Guild conference. Fifth annual conference of the International Association for Dance Medicine and Science and the International Arts Medicine Association
• Abstracts: The origins of dance: the perspective of primate evolution. Breaking down barriers in the study of Renaissance and Baroque dance
• Abstracts: SkinBones: Parallel Practices in Fashion and Architecture. Alan Fletcher: Fifty Years of Graphic Work (and Play)
• Abstracts: The evolution of the arabesque in dance. Cavalieri's theatrical 'ballo' and the social dances of Caroso and Negri

This website is not affiliated with document authors or copyright owners. This page is provided for informational purposes only. Unintentional errors are possible.