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Castrati, Balzac, and BartheS/Z

Article Abstract:

Roland Barthes, in his book 'S/Z,' misinterpreted the character of the castrato, Zambinella, in Honore de Balzac's novella 'Sarrasine.' Barthes made the same mistake as Balzac's narrator, his character Sarrasine and the France of Balzac's time, by assuming that because Zambinella was neither comfortably male nor female from their self-limiting bipolar sexual perspective, he must be a tragic and unhappy figure. Zambinella, however, achieves a kind of parental fulfillment through Marianina's singing voice. Barthes was blind to Balzac's irony because he was unversed in the history of castrati.

Author: Noble, Yvonne
Publisher: Comparative Drama
Publication Name: Comparative Drama
Subject: Literature/writing
ISSN: 0010-4078
Year: 1997
Portrayals, Novelists, Criticism and interpretation, Critics, French literature, Balzac, Honore de, Castrati, Barthes, Roland

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Instrumental variables for logistic regression: an illustration

Article Abstract:

Instrumental variables estimation may be used to obtain consistent parameter approximations in situations where the estimated effect of a regressor on an outcome is inconsistent when that regressor is determined simultaneously with that outcome. An overview of instrumental variables, their applications in non-linear models and the use of the so-called generalized method of moments to derive instrumental variables estimates for logistric regression are evaluated.

Author: Foster, E. Michael
Publisher: Academic Press, Inc.
Publication Name: Social Science Research
Subject: Social sciences
ISSN: 0049-089X
Year: 1997
Models, Usage, Econometrics, Estimation theory, Regression analysis, Statistics (Mathematics), Mathematical statistics, Instrumental variables (Statistics), Instrumental variables

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Self-fulfilling prophets: Oprah, Madonna, Jane Fonda ... the entrepreneurial zealots who preach by example

Article Abstract:

These wealthy successful women have no products to market, but they sell themselves and redefine themselves periodically. Oprah 's weight changes and her griefs and joys about it are all public. Fonda changes roles publically, and Martha Stewart changes her medium of communication.

Author: Harrison, Barbara Grizzuti
Publisher: The New York Times Company
Publication Name: The New York Times Magazine
Subject:
ISSN: 0028-7822
Year: 1996
Management, Behavior, Personalities, Performances, Stewart, Martha, Entrepreneurship, Winfrey, Oprah, Fonda, Jane

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