"If you read it, I wrote it"; the anonymous career of comic book writer Paul S. Newman

Article Abstract:

Paul S. Newman is the most prolific comic book writer of all time, having written over 4,000 stories since 1947, typically anonymous. His output includes many movie and TV show tie-ins and some Archie, Disney, DC and Marvel comics. He significantly shaped the mythos of the Lone Ranger by writing for that comic starting in 1951, until 1975. His career exemplifies how authors' anonymity contributes to the mythic appeal of popular culture characters. His interest is in telling stories with good plot twists.

Officials and employees, Practice, Biography, Personalities, Comic book industry, Comics publishing, Anonymous writings, Newman, Paul S.

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Comic book fandom and cultural capital

Article Abstract:

The traits of fandom are etched clearly within the culture of comic book enthusiasts. Comic book fandom as an intricate system has its own rules that define the value of popular texts. Comic book lovers construct a meaningful sense of self through comic fandom and comic-book collecting. High culture is showed off to give way to the 'shadow cultural economy.' Values are ascribed to tastes. Tastes that are privileged are those associated with the upper strata of society.

Social aspects, Literature, Fans (Persons)

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Comic books and AIDS

Article Abstract:

Comic books are an effective media for addressing the problem of AIDS. This is because of their application as a means of education and due to the social commentary and criticism evident in such books. The link between comic characters and AIDS serves to expose the dangers of AIDS and suggest ways to prevent it.

Analysis, Usage, Media coverage, AIDS (Disease), AIDS (Disease) in mass media

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