Is the real difference among color films in the fine print?
Article Abstract:
Usage of the best color print films does not guarantee that color saturation expectations will be met if the processing is done by a professional lab. Despite processing innovations in recent years, processors have a new problem with a 'short-exposure reciprocity effect' created by a short processing exposure time.
Publication Name: Popular Photography
Subject: Hobbies and crafts
ISSN: 0032-4582
Year: 1992
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90 color films compared
Article Abstract:
Choosing a color film is an exciting challenge nowadays because there is a different kind of film for almost any occasion. Ninety films were used and analyzed according to resolution, sharpness, color saturation, granularity, contrast and latitude. Brief comments on results are provided.
Publication Name: Popular Photography
Subject: Hobbies and crafts
ISSN: 0032-4582
Year: 1992
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Color: a roundup of the newest and hottest color slide films from Agfa, Fuji , and Kodak
Article Abstract:
Six versions of color slide film, either new or improved, offer photographers choices among preferences in contrast, tonal separation, grain, 'pushability' and resolution. Some of the overall best results came from the Agfa RS 50 and the Kodak Ektachrome P1600 professional slide film.
Publication Name: Popular Photography
Subject: Hobbies and crafts
ISSN: 0032-4582
Year: 1993
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- Abstracts: Small SLRs that can autofocus in the dark? Well, why not? A look at where we seem to be going and a question: do we want to go there?
- Abstracts: Imagine that! The newest black-and-white film from Ilford is designed with the darkroom enthusiast in mind! Want a cram course in darkroom technique? Check out the National Gallery's "Stieglitz in the Darkroom" show!
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