The tragic emotions
Article Abstract:
The philosopher Aristotle felt tragedy should elicit feelings of triumph as well as the fear and pity that are traditionally ascribed to him. The playwright Aristophanes wanted audiences to feel confident and wrote comedies, similar to Aeschylus' desire to stimulate high spirits with his tragedy. Aristotle felt the best plays evoked pity, but the ancient Greeks saw tragedy as more complex than that.
Publication Name: Comparative Drama
Subject: Literature/writing
ISSN: 0010-4078
Year: 1999
User Contributions:
Comment about this article or add new information about this topic:
Drama and ritual once again: notes toward a revival of tragic theory
Article Abstract:
Friedrich Wilhelm Nietzsche's opinion that the origin of tragedy can be traced to Dionysian ritual cannot be corroborated by historical evidence. There are points of comparison between tragedy and rituals such as conflict, action, insight, and effect. These similarities indicate a common origin but there are dissimilarities too which implies that drama is intrinsically different from ritual.
Publication Name: Comparative Drama
Subject: Literature/writing
ISSN: 0010-4078
Year: 1995
User Contributions:
Comment about this article or add new information about this topic:
Body and ritual in Farquhar
Article Abstract:
George Farquhar, an 18th-century Irish dramatist, used bodies in his plays as a form of currency and as metaphors for social conditions. Selling, beating, throwing and bartering with bodies become ways to portray how society devalues the individual. Bodies also enacted the social rituals that imposed uniformity on individual desire, depriving the rituals of lasting mystery and power.
Publication Name: Comparative Drama
Subject: Literature/writing
ISSN: 0010-4078
Year: 1997
User Contributions:
Comment about this article or add new information about this topic:
- Abstracts: The Marinov motor and me. The Marinov motor and me, part 1. The marinov motor & me, part 2
- Abstracts: The bug and the buffalo. The Fermi plague. God by default
- Abstracts: The transience of memory: we really can remember it for you wholesale. The search for extraterrestrial oceans
- Abstracts: The third generation of genre science fiction. Adventures in paraliterature. "Talking." (Samuel R. Delany's 'Silent Interviews: On Language, Race, Sex, Science Fiction, and Some Comics: A Collection of Written Interviews)
- Abstracts: Impulse or genre or neither? Is something new happening in science fiction? Phallic mothers and monster queers