| The Independent 1995 Andrew Graham Dixon |
| Title | Subject | Authors |
|---|
| A dance to the music of time. (Nicolas Poussin, Royal Academy, London, UK) | Retail industry | Andrew Graham-Dixon |
| Art of Africa: the show of a lifetime. (Royal Academy, London, UK) | Retail industry | Andrew Graham-Dixon |
| Degenerate and proud. (Emil Nolde; Whitechapel Art Gallery, London, England) | Retail industry | Andrew Graham Dixon |
| Every silver lining needs a cloud. (cast shadows in western art; National Gallery, London, UK) | Retail industry | Andrew Graham-Dixon |
| Great, on the face of it. (photographer Richard Avedon, National Portrait Gallery, London, UK) | Retail industry | Andrew Graham-Dixon |
| In search of the edible woman. (retrospective of work of Willem de Kooning; Tate Gallery, London, UK) | Retail industry | Andrew Graham-Dixon |
| In the shadow of atrocity. (the plight of Anselm Kiefer) | Retail industry | Andrew Graham-Dixon |
| Johnny Rotten - punk, baboon and gargoyle. (influence of punk group the Sex Pistols) | Retail industry | Andrew Graham-Dixon |
| 'Some take the Venice Biennale very seriously indeed; others regard it as the Eurovision Song Contest of Art.' (centenary of the world's oldest festival of contemporary art) | Retail industry | Andrew Graham-Dixon |
| 'The Cezanne on view in Paris is a complicated, uneasy figure, driven by anxiety as much as anything.' (Grand Palais, Paris, France) | Retail industry | Andrew Graham-Dixon |
| The heartfelt tug of time. (Turner's 'The Fighting Temeraire'; National Gallery, London, UK) | Retail industry | Andrew Graham-Dixon |
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