The Independent 1995 Bayan Northcott - Abstracts

The Independent 1995 Bayan Northcott
TitleSubjectAuthors
'A high note, a low note, a note in the middle - like the music of a madman.' (reputation of composer Anton Webern)Retail industryBayan Northcott
Conversations with Igor. (Robert Craft's role in post-war music)Retail industryBayan Northcott
Fame comes knocking at the door. (14th century composer/poet Guillaume de Machaut)Retail industryBayan Northcott
Four minutes that shook R3. (Paul Gambaccini does not have negative impact on Radio 3)Retail industryBayan Northcott
Handel: the Tebbit test. (foreign influences on Handel's music)Retail industryBayan Northcott
Making music for single-track minds. (views on the lyric line)Retail industryBayan Northcott
Marching to a different tune. (role of art in world at war)Retail industryBayan Northcott
Old before their time. (renewed interest in period instruments)Retail industryBayan Northcott
Purcell's sons of art. (changing fortunes of the work of Purcell)Retail industryBayan Northcott
September songs. (inspiration for Richard Strauss's last works)Retail industryBayan Northcott
The last of the modern masters. (Elliott Carter)Retail industryBayan Northcott
The melody lingers on. (how music is heard and remembered)Retail industryBayan Northcott
The operas came in three by three. (Benjamin Britten is the only composer since the second world war whose entire operatic output has entered the international repertoire)Retail industryBayan Northcott
Too young to die, too old to live. (musical anniversaries in 1995)Retail industryBayan Northcott
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