| Journal of Popular Culture 2006 |
| Title | Subject | Authors |
|---|
| Anomalous experiences in North Carolina: A survey. | Sociology and social work | Dewan, William J. |
| Antiques, auctions, and action: Interpreting and creating economic value. | Sociology and social work | Palmer, C. Eddie, Forsyth, Craig J. |
| A Queen for whose time? Elizabeth I as icon for the twentieth century. | Sociology and social work | Moss, David Grant |
| A tooth for a private eye: James Ellroy's detective fiction. | Sociology and social work | Allamand, Carole |
| Carlos Castaneda and his followers: Finding life's meaning in your local bookstore. | Sociology and social work | Krantz, David L. |
| Cast Away and survivor: The surviving castaway and the rebirth of empire. | Sociology and social work | Weaver-Hightower, Rebecca |
| Cinderella dances Swan Lake: Reading Billy Elliot as fairytale.(Critical essay) | Sociology and social work | Lancioni, Judith |
| "Elizabeth Hurley is more than a model": Stars and career diversification in contemporary media.(Occupation overview) | Sociology and social work | Barron, Lee |
| "Faking a sonogram": Representations of motherhood on Sex and the City.(Critical essay) | Sociology and social work | Tropp, Laura |
| Film adaptation, co-authorship, and hauntology: Gus Van Sant's Psycho (1998). | Sociology and social work | Moore, Don, Donaldson-McHugh, Shannon |
| Freudian psychology and Beth Henley's popular culture satire: Signature.(Critical essay) | Sociology and social work | Plunka, Gene A. |
| From do-nothing to detective: The transformation of Robert Audley in Lady Audley's Secret.(Mary Elizabeth Braddon) | Sociology and social work | Pallo, Vicki A. |
| From Quixote to Caractacus: Influence, intertextuality, and Chitty Chitty Bang Bang.(Critical essay) | Sociology and social work | McMorran, Will |
| Frustrating female heroism: Mixed messages in Xena, Nikita, and Buffy.(Critical essay) | Sociology and social work | Magoulick, Mary |
| 'Hoods and the woods: Rap music as environmental literature. | Sociology and social work | Rosenthal, Debra J. |
| Identity takeout: How American Jews made Chinese food their ethnic cuisine. | Sociology and social work | Miller, Hanna |
| Important places and their public faces: Understanding Fenway Park as a public symbol. | Sociology and social work | Borer, Michael Ian |
| Invisible women: Herbert Ross' Boys on the Side puts HIV/AIDS and women in their place. | Sociology and social work | Waites, Kathleen J. |
| Mister Sparkle meets the Yakuza: Depictions of Japan in The Simpsons. | Sociology and social work | Dobson, Hugo |
| Muhammad goes to Hollywood: Michael Mann's Ali as Biopic.(Muhammad Ali) | Sociology and social work | Doyle, Kegan |
| Neither virgins nor whores: Tango lyrics and gender representations in the tango world. | Sociology and social work | Viladrich, Anahi |
| Not pretty girls? Sexuality, spirituality and gender construction in women's rock music. | Sociology and social work | McCarthy, Kate |
| Occupation G.I. Blues: Postwar Germany during and after Elvis Presley's tour. | Sociology and social work | Weinstein, Raymond M. |
| Playing like the boys: Patricia Conrwell writes men. | Sociology and social work | Robinson, Robbie |
| Practicing Oprah; or, the prescriptive compulsion of a spiritual capitalism.(Oprah Winfrey) | Sociology and social work | Lofton, Kathryn |
| Psychotropia: Medicine, media, and the virtual asylum. | Sociology and social work | Rubin, Lawrence C. |
| Resounding the abyss: The politics of narration in Jack London's The People of the Abyss.(Critical essay) | Sociology and social work | Swafford, Kevin R. |
| The banal nationalism of Japanese cinema: The making of Pride and the idea of India.(Critical essay) | Sociology and social work | Nuckolls, Charles W. |
| The Bohunk in the American Cinema. | Sociology and social work | Goska, Danusha V. |
| The "degrading thirst after outrageous stimulation": Wordsworth as cultural critic.(William Wordsworth) | Sociology and social work | Blank, G. Kim |
| The Ed Sullivan Show and the (censored) sounds of the Sixties.(The Freewheelin' Bob Dylan) | Sociology and social work | Inglis, Ian |
| The Third Reich in alternate history: Aspects of a genre-specific depiction of Nazi culture. | Sociology and social work | Winthrop-Young, Geoffrey |
| "The wall in our minds?" Colonization, integration, and nostalgia.(Critical essay) | Sociology and social work | Jozwiak, Joseph F., Mermann, Elisabeth |
| The William Brigman JPC Award Winner: John Ford: The Man Who Shot Liberty Valance. | Sociology and social work | Anderson, Kent |
| Unpaid advertising: A case of Wilson the volleyball in Cast Away. | Sociology and social work | Maynard, Michael L., Scala, Megan |
| Watching films, learning language, and experiencing culture: An account of deaf culture through history and popular films. | Sociology and social work | Avon, Antoinette |
| What yellowface hides: Video games, whiteness and the American racial order.(Duke Nukem 3D)(Shadow Warrior) | Sociology and social work | Shiu, Anthony Sze-Fai |
| "Who watches the Watchmen?": Ideology and "real world" superheroes. | Sociology and social work | Hughes, Jamie A. |
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