| Leonardo Music Journal 2001 |
| Title | Subject | Authors |
|---|
| AudiOh!: appropriation, accident and alteration.(experimental music)(Not Necessarily "English Music": Britain's Second Golden Age) | Science and technology | Schaefer, Janek |
| Between now and then: the auto-interview of a lapsed musician.(experimental music)(Not Necessarily "English Music": Britain's Second Golden Age) | Science and technology | Glanville, Ranulph |
| Cardew as a basis for a discussion on ethical options.(Cornelius Cardew, experimental music)(Not Necessarily "English Music": Britain's Second Golden Age) | Science and technology | Aharonian, Coriun |
| Gentle Fire: an early approach to live electronic music.(experimental music)(Not Necessarily "English Music": Britain's Second Golden Age) | Science and technology | Davies, Hugh |
| Imaging music: Abstract Expressionism and free improvisation.(experimental music)(Not Necessarily "English Music": Britain's Second Golden Age) | Science and technology | Sansom, Matthew |
| Introduction.(experimental music)(Not Necessarily "English Music": Britain's Second Golden Age) | Science and technology | Collins, Nicolas |
| Making it up as you go along.(experimental music)(Not Necessarily "English Music": Britain's Second Golden Age) | Science and technology | Jones, Stuart |
| Not necessarily captured, except as a fleeting glance.(CD Companion Introduction)(experimental music)(Not Necessarily "English Music": Britain's Second Golden Age) | Science and technology | Toop, David |
| On Stuart Marshall: composer, video artist and filmmaker, 1949-1993.(experimental music)(Not Necessarily "English Music": Britain's Second Golden Age) | Science and technology | Lucier, Alvin |
| Plus ca change: journeys, instruments and networks, 1966-2000.(experimental music)(Not Necessarily "English Music": Britain's Second Golden Age) | Science and technology | Casserley, Lawrence |
| Remembering how to forget: an artist's exploration of sound.(experimental music)(Not Necessarily "English Music": Britain's Second Golden Age) | Science and technology | Scanner |
| Rorschach audio: ghost voices and perceptual creativity.(Electronic Voice Phenomena)(Not Necessarily "English Music": Britain's Second Golden Age) | Science and technology | Banks, Joe |
| The arrival of a new musical aesthetic: extracts from a half-buried diary.(experimental music)(Not Necessarily "English Music": Britain's Second Golden Age) | Science and technology | Prevost, Eddie |
| The new English keyboard school: a second "Golden Age".(experimental music)(Not Necessarily "English Music": Britain's Second Golden Age) | Science and technology | Walker, Sarah E. |
| The Scratch Orchestra and visual arts.(experimental music)(Not Necessarily "English Music": Britain's Second Golden Age) | Science and technology | Parsons, Michael |
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