| Novel 1996 |
| Title | Subject | Authors |
|---|
| Acts of custody and incarceration in 'Wuthering Heights' and 'The Tenant of Wildfell Hall.' | Literature/writing | Berry, Laura C. |
| A modern Odyssey: realism, the masses, and nationalism in George Eliot's 'Felix Holt.' | Literature/writing | Lesjak, Carolyn |
| Conjugal love and the enlightenment subject: the colonial context of non-identity in Maria Edgeworth's 'Belinda.' | Literature/writing | McCann, Andrew |
| Double Cain.(American author James Cain) | Literature/writing | Porter, Gregory |
| Engendering naturalism: narrative form and commodity spectacle in U.S. naturalist fiction. | Literature/writing | Merish, Lori |
| Frederick Douglass's 'My Bondage and My Freedom' and the fugitive tourist industry. | Literature/writing | Brawley, Lisa |
| Girl talk: 'Jane Eyre' and the romance of women's narration. | Literature/writing | Kaplan, Carla |
| Inter-nationalism: 'Castle Rackrent' and Anglo-Irish Union. | Literature/writing | Hack, Daniel |
| Kiss me, stupid: sophistication, sexuality, and 'Vanity Fair.' | Literature/writing | Litvak, Joseph |
| "Love is home-sickness": Nostalgia and lesbian desire in 'Sapphira and the Slave Girl.' | Literature/writing | Morgenstern, Naomi E. |
| Narrating hysteria: 'Caleb Williams' and the cultural history of nerves. | Literature/writing | Logan, Peter Melville |
| Persuading the navy home: Austen and married women's professional property.(Jane Austen) | Literature/writing | Cohen, Monica F. |
| The clinical novel: phrenology and 'Villette.' | Literature/writing | Dames, Nicholas |
| The financial imp: ethics and finance in nineteenth century fiction. | Literature/writing | McLaughlin, Kevin |
| The institution of the English novel: Defoe's contribution.(Daniel Defoe) | Literature/writing | Brown, Homer |
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