| Novel 1997 |
| Title | Subject | Authors |
|---|
| American racial discourse, 1900-1930: Schuyler's 'Black No More.' (George Schuyler) | Literature/writing | Kuenz, Jane |
| Consuming Malcolm X: prophecy and performative masculinity. | Literature/writing | Saldana-Portillo, Maria Josefina |
| Double exposures: arresting images in 'Bleak House' and 'The House of the Seven Gables.' | Literature/writing | Thomas, Ronald R. |
| Exile, Conrad, and "la difference essentielle des races." | Literature/writing | Israel, Nico |
| Fitting Fanny: Cleland's 'Memoirs' and the politics of male pleasure. | Literature/writing | Weed, David |
| From "spy-glass" to "horizon": tracking the anthropological gaze in Zora Neale Hurston. | Literature/writing | Jacobs, Karen |
| George Eliot and the production of consumers. | Literature/writing | Price, Leah |
| "High and noble adventures": reading the novel in 'The Female Quixote.' | Literature/writing | Martin, Mary Patricia |
| If re-collecting were forgetting: forged bodies and forgotten labor in 'Little Dorrit.' | Literature/writing | Novak, Daniel |
| Invisible desires: homoerotic racism and its homophobic critique in Ralph Ellison's 'Invisible Man.' | Literature/writing | Kim, Daniel Y. |
| Narratives of a virgin's violation: the critique of middle-class reformism in Djuna Barnes's 'Ryder.' | Literature/writing | Edmunds, Susan |
| The alien in our midst: trash culture and good Americans in John Gardner's 'October Light.' | Literature/writing | Ekelund, Bo G. |
| The Americanization of Theron Ware. (Harold Frederic's 'The Damnation of Theron Ware') | Literature/writing | Bramen, Carrie Tirado |
| The Giaour's campaign: desire and the other in 'Felix Holt, The Radical.' | Literature/writing | Carroll, Alicia |
| The scarlet letter of the law: Hawthorne and criminal justice. (Nathaniel Hawthorne) | Literature/writing | Korobkin, Laura Hanft |
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