Abstracts - faqs.org

Abstracts

Mass communications

Search abstracts:
Abstracts » Mass communications

The case of early black cinema

Article Abstract:

The unprecedented popularity of Afro-American actor-director Spike Lee has once again spurred debates over the nature of Afro-American films. It must be recalled that development in American film-making practices did not occur until the racist film, 'The Birth of A Nation' was shown in 1915. However, the present crop of black filmmakers depict the social and economic conditions of the black community which is very much different from those perceived by the public. Racism may still be a fundamental issue but the new generation has focused on issues they deem more essential.

Author: Miller, James A.
Publisher: Routledge
Publication Name: Critical Studies in Mass Communication
Subject: Mass communications
ISSN: 0739-3180
Year: 1993
African Americans, Motion pictures, African American actors, Lee, Spike

User Contributions:

Comment about this article or add new information about this topic:

CAPTCHA


Re-birthing the monstrous: James Whale's (mis)reading of Mary Shelley's 'Frankenstein.'

Article Abstract:

James Whale's direction of the motion picture version of Mary Shelley's novel 'Frankenstein' obliterated Shelley's pointed disapprobation of the concept of male parthenogenesis and artificial human reproduction techniques. The movie had instead focused on the character's monstrous appearance which had been deemed a parody of Jesus Christ's resurrection. Other gender-related elements such as the male protagonist's ambivalent relationships with his mother and sweetheart were replaced with the familiar theme of a love triangle.

Author: Picart, Caroline Joan S.
Publisher: Routledge
Publication Name: Critical Studies in Mass Communication
Subject: Mass communications
ISSN: 0739-3180
Year: 1998
Men, Sex roles, Parthenogenesis, Film adaptations, Movie adaptations, Shelley, Mary, Sex role in motion pictures, Frankenstein; or, The Modern Prometheus (Novel), Whale, James

User Contributions:

Comment about this article or add new information about this topic:

CAPTCHA


The endless slide of difference: critical television studies, television and the question of race

Article Abstract:

Afro-Americans have used television as a powerful medium in voicing out their resistance to the seeming oppression perpetrated by the mainstream culture. Thus, critical television studies focusing on the issue of racism has dominated mass communication research. In the past, the showing of the racist film, 'Birth of a Nation' has generated harsh criticisms from the black community. At present, resistance has been portrayed more on television.

Author: Gray, Herman
Publisher: Routledge
Publication Name: Critical Studies in Mass Communication
Subject: Mass communications
ISSN: 0739-3180
Year: 1993
Research, Communication, Communications, African Americans in television

User Contributions:

Comment about this article or add new information about this topic:

CAPTCHA


Subjects list: Analysis, Portrayals, Criticism and interpretation, Movies, The Birth of a Nation (Motion picture)
Similar abstracts:
  • Abstracts: Time and time again: 'live' television commentary and the construction of replay talk. Election night
  • Abstracts: The construction of gendered national identities in the television advertisments of Japan and Australia. The Malaysian dilemma: advertising's catalytic and cataclysmic role in social development
  • Abstracts: Broadcasting and national identity in Ireland. Globalization and policy choice: television and audiovisual services in India
  • Abstracts: For books, another brave new world. The "book" on books - mammon and the muses. Symposium: twelve visions
  • Abstracts: Who's covering what in the year of the woman? The end of predictability. Case study - Wichita and Charlotte: the leap of a passive press to activism
This website is not affiliated with document authors or copyright owners. This page is provided for informational purposes only. Unintentional errors are possible.
Some parts © 2025 Advameg, Inc.