| Chinese Sociology & Anthropology 1999 |
| Title | Subject | Authors |
|---|
| After Zhang Yimou's withdrawal from Cannes.(Hollywood Films and Chinese Domestic Films in China, Part 2) | Sociology and social work | Lan, Da |
| Analysis of 'Mulan's selling points and marketing operations.(Hollywood Films and Chinese Domestic Films in China, Part 2) | Sociology and social work | Peng, Shoo |
| Analysis of the 1998 nationwide market for American shared-profit films.(Hollywood films and Chinese domestic films in China, Part I) | Sociology and social work | Qiang, Mao |
| Another myth about the American dream.(Hollywood Films and Chinese Domestic Films in China, Part 2) | Sociology and social work | Hua, Ji |
| A petition calling on the Central Government to share revenues from the three hydropower stations with the Linxia-Hui Autonomous Prefecture, August 10, 1987.(The Battle of Sanmenxia: Population Relocation During the Three Gate Gorge Hydropower Project) | Sociology and social work | Leng Meng, Ming Yi |
| Applaud and acclaim Chinese-made cinema.(Hollywood films and Chinese domestic films in China, Part I) | Sociology and social work | Wen, Ji |
| Are cinema prices really too high? When everyone claims to be right, the market should be the criterion.(Hollywood films and Chinese domestic films in China, Part I) | Sociology and social work | Yan, Zhang |
| Are people who show films guaranteed good yields irrespective of drought and flood?(Hollywood films and Chinese domestic films in China, Part I) | Sociology and social work | Fengtong, Guo |
| Arguments by specialists differ on how to look at the "Colonialization of the Han Language".(appendix C)(The Contention in China over "Cultural Colonializm") | Sociology and social work | Li Jing |
| Behind the Discussion.(Hollywood films and Chinese domestic films in China, Part I) | Sociology and social work | Xin, Zhang |
| Be on guard against the "big-film" malaise.(Hollywood Films and Chinese Domestic Films in China, Part 2) | Sociology and social work | Jun, Hu |
| Beware of so-called popular culture.(The Contention in China over "Cultural Colonialism") | Sociology and social work | Cheng Zhi'ang |
| Bidirectional cultural colonization.(The Contention in China over "Cultural Colonialism") | Sociology and social work | Li Daqiang |
| Can money buy audiences' tastes?(Hollywood Films and Chinese Domestic Films in China, Part 2) | Sociology and social work | Jingmei, Niu |
| "Can we still make films?"(Hollywood films and Chinese domestic films in China, Part I) | Sociology and social work | Shaoyang, Lu |
| "Chinese are not inferior to foreigners".(The Contention in China over "Cultural Colonialism") | Sociology and social work | Gu Pengcheng, Xie Fangyuan, Qian Luming, Qu Lu, Yan Zhengcheng, Fang Zhongze, Gao Yiguo |
| Chinese cinema at the turn of the century: apprehension and self-confidence superimposed - survey report on the sixth film festival of university students in Beijing.(Hollywood Films and Chinese Domestic Films in China, Part 2) | Sociology and social work | Jinyue, Wang |
| Chinese investors are still "bleeding" amid the upsurge in joint investments.(The Contention in China over "Cultural Colonialism") | Sociology and social work | Hua Can |
| Contention on the issue of "Colonial culture".(The Contention in China over "Cultural Colonialism") | Sociology and social work | Li Zimu |
| Discussion on the "Cultural Heat".(The Contention in China over "Cultural Colonialism") | Sociology and social work | Ai Xing |
| Drawing aside Hollywood's veil.(Hollywood Films and Chinese Domestic Films in China, Part 2) | Sociology and social work | Yabo, Zeng |
| Epilogue: year thirty-two.(The Battle of Sanmenxia: Population Relocation During the Three Gate Gorge Hydropower Project) | Sociology and social work | Leng Meng, Ming Yi |
| Foreign fast foods gobble up Chinese-style fast foods.(The Contention in China over "Cultural Colonialism") | Sociology and social work | Er Yu |
| "Foreign Winds" invade China.(The Contention in China over "Cultural Colonialism") | Sociology and social work | Bai Mu |
| Golden Rooster awards: singing old melodies and new tunes as one walks along.(Hollywood Films and Chinese Domestic Films in China, Part 2) | Sociology and social work | Xiadong, Wu |
| Guest editor's introduction.(The Contention in China over "Cultural Colonialism") | Sociology and social work | Rosen, Stanley |
| Have you seen Ryan?(Hollywood films and Chinese domestic films in China, Part I) | Sociology and social work | Anyi, Wang |
| I disapprove of making underground films.(Hollywood Films and Chinese Domestic Films in China, Part 2) | Sociology and social work | Zhang Yimou |
| 'Independence Day'.(Hollywood films and Chinese domestic films in China, Part I) | Sociology and social work | Yiming, Li |
| Insights from the market phenomena of 'Titanic'.(Hollywood films and Chinese domestic films in China, Part I) | Sociology and social work | Li, Weng |
| Kentucky Fried Chicken, McDonald's, and Chinese cinema.(Hollywood Films and Chinese Domestic Films in China, Part 2) | Sociology and social work | Zhongqiang, Jin |
| Light and relaxing: watching 'Mulan'.(Hollywood Films and Chinese Domestic Films in China, Part 2) | Sociology and social work | Jing, Xiang |
| Listening to Tian Zhuangzhuang's year-end comments on cinema.(Hollywood Films and Chinese Domestic Films in China, Part 2)(Interview) | Sociology and social work | |
| Looking back at the 1998 Chinese film market.(Hollywood films and Chinese domestic films in China, Part I) | Sociology and social work | Ying, Xing |
| Mulan's former home hitches a ride with Disney.(Hollywood Films and Chinese Domestic Films in China, Part 2) | Sociology and social work | Quanzhong, Song |
| Newest signals from urban audiences: commentary on a house-to-house sample survey conducted by the Lingdian/Zhongbo companies.(Hollywood Films and Chinese Domestic Films in China, Part 2) | Sociology and social work | Boqing, Zhang, Guang, Han |
| New tendency emerges in direct investment by foreign businesses.(The Contention in China over "Cultural Colonialism") | Sociology and social work | Jiang Xiaojuan, Li Haijian |
| Ode to Mulan: seeing the animated film 'Mulan'.(Hollywood Films and Chinese Domestic Films in China, Part 2) | Sociology and social work | Renjie, Zhang |
| Plan for 'Mulan's marketing strategy.(Hollywood Films and Chinese Domestic Films in China, Part 2) | Sociology and social work | Fei, Li |
| Political films and human rights bias.(Hollywood Films and Chinese Domestic Films in China, Part 2) | Sociology and social work | Zi, Ya |
| Popular petitions protesting corruption and embezzlement by local governments in the region of the Three Gorges Dam Project, 1997 and 1998.(The Battle of Sanmenxia: Population Relocation During the Three Gate Gorge Hydropower Project) | Sociology and social work | Leng Meng, Ming Yi |
| Present conditions of the fishing industry in the Liujia and Yanguo Gorges reservoir areas and issues involving water usage and water management, October 10, 1986.(The Battle of Sanmenxia: Population Relocation During the Three Gate Gorge Hydropower Project) | Sociology and social work | Ming Yi |
| Seeing 'Mulan' in the United States.(Hollywood Films and Chinese Domestic Films in China, Part 2) | Sociology and social work | Yi, Zhu |
| Should or should we not guard against and resist cultural colonializm?(The Contention in China over "Cultural Colonializm") | Sociology and social work | |
| Stabilizing morale, surmounting difficulties together: reflections on the film market in the first half of 1999.(Hollywood films and Chinese domestic films in China, Part I) | Sociology and social work | Du, Gao |
| The ABC's of Shanghai's film market: a survey report from Yangpu District Cultural Bureau (part one).(Hollywood Films and Chinese Domestic Films in China, Part 2) | Sociology and social work | Jiqun, Tang |
| The ABC's of Shanghai's film market: a survey report from Yangpu District Cultural Bureau (part two).(Hollywood Films and Chinese Domestic Films in China, Part 2) | Sociology and social work | Jiqun, Tang |
| The embarrassments caused by importing major films.(Hollywood films and Chinese domestic films in China, Part I) | Sociology and social work | Yongzhi, Wang, Yi, Ren |
| The label is a bit too big.(appendix B)(The Contention in China over "Cultural Colonialism") | Sociology and social work | Sima Xin |
| There is great hope for Chinese cinema.(Hollywood films and Chinese domestic films in China, Part I) | Sociology and social work | |
| The Seventh Production Team of Dachuan: an analysis of a relocated village.(The Battle of Sanmenxia: Population Relocation During the Three Gate Gorge Hydropower Project)(Statistical Data Included) | Sociology and social work | Ming Yi, Wang Gan |
| The shadow of Mu Shu Dragon.(Hollywood Films and Chinese Domestic Films in China, Part 2) | Sociology and social work | Ken, Chen |
| This is a sort of transitory swing.(appendix A)(The Contention in China over "Cultural Colonialism") | Sociology and social work | Wang Meng |
| Thoughts elicited by an illustration.(Hollywood Films and Chinese Domestic Films in China, Part 2) | Sociology and social work | Yang, Zhang |
| Thoughts elicited by charts showing 'Titanic' box-office trends.(Hollywood films and Chinese domestic films in China, Part I) | Sociology and social work | Wenjin, He |
| 'Titanic' and 'Saving Private Ryan'.(Hollywood films and Chinese domestic films in China, Part I) | Sociology and social work | Mu, Duan |
| What does the American 'Mulan' look like?(Hollywood Films and Chinese Domestic Films in China, Part 2) | Sociology and social work | Zhongshun, He |
| What do the "rankings" tell us?(Hollywood Films and Chinese Domestic Films in China, Part 2) | Sociology and social work | Guanping, Wu |
| Who are the stars of today's box office?(Hollywood films and Chinese domestic films in China, Part I) | Sociology and social work | Shibang, Zhan |
| Year eight: losing the land.(The Battle of Sanmenxia: Population Relocation During the Three Gate Gorge Hydropower Project) | Sociology and social work | Leng Meng, Ming Yi |
| Year five: shifts in government policy.(The Battle of Sanmenxia: Population Relocation During the Three Gate Gorge Hydropower Project) | Sociology and social work | Leng Meng, Ming Yi |
| Year one: from "heroic" resettlement to great escapes.(The Battle of Sanmenxia: Population Relocation During the Three Gate Gorge Hydropower Project) | Sociology and social work | Leng Meng, Ming Yi |
| Year six: further shifts in government policy.(The Battle of Sanmenxia: Population Relocation During the Three Gate Gorge Hydropower Project) | Sociology and social work | Leng Meng, Ming Yi |
| Year thirty (II): returning home to find nothing.(The Battle of Sanmenxia: Population Relocation During the Three Gate Gorge Hydropower Project) | Sociology and social work | Leng Meng, Ming Yi |
| Year thirty (I): "It's time the problem was solved".(The Battle of Sanmenxia: Population Relocation During the Three Gate Gorge Hydropower Project) | Sociology and social work | Leng Meng, Ming Yi |
| Year twenty-four: the "turmoil" intensifies.(The Battle of Sanmenxia: Population Relocation During the Three Gate Gorge Hydropower Project) | Sociology and social work | Leng Meng, Ming Yi |
| Year twenty-two: the four commanders of the "relocatee turmoil".(The Battle of Sanmenxia: Population Relocation During the Three Gate Gorge Hydropower Project) | Sociology and social work | Leng Meng, Ming Yi |
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