| Journal of Film and Video 2005 |
| Title | Subject | Authors |
|---|
| Ant farm redux: Pyrotechnics and emergence. | Motion pictures | Mellencamp, Patricia |
| Canada's multimedia master: An E-mail interview with Michael Snow.(Interview) | Motion pictures | Varela, Willie |
| Cans and cassettes. | Motion pictures | Kuchar, George |
| Cinematic dis-contents: Addressing a Latin/Latino avant-grade through the browser apparatus. | Motion pictures | Baugh, Scott L. |
| From the indexical to the spectacle: On Zhang Yimou's postmodern turn in Not One Less. | Motion pictures | Yiman Wang |
| Interpreting reality: Los olvidados and the documentary mode. | Motion pictures | Jones, Julie |
| Marx in a Texas love triangle: "Marrying up" and the classed gaze in Days of Haven. | Motion pictures | Wondra, Janet |
| Moviegoing and gole-making: The case of Blade Runner. | Motion pictures | Wilson, Eric G. |
| Remembering Stan Brakhage: An E-mail conversation between Steve Anker and Willie Varela.(Interview) | Motion pictures | Varela, Willie |
| Technostructural expectations. | Motion pictures | Small, Edward S. |
| The Paradoxes of Quirigua. | Motion pictures | Lerner, Jesse |
| The pitfalls of media "representations": David Lynch's Lost Highway. | Motion pictures | O'Connor, Tom |
| The Scream trilogy, "hyperpostmodernism," and the late-nineties teen slasher film. | Motion pictures | Wee, Valerie |
| Transcending time: Jean Harlow and Hollywood's narrative of decline. | Motion pictures | Addison, Heather |
| We will not go quietly: Some thoughts on the avant-grade, then and now. | Motion pictures | Varela, Willie |
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