Comparative Drama 1998 |
Title | Subject | Authors |
Dances with Mei Langang: Brecht and the alienation effect.(Berthold Brecht) | Literature/writing | |
Epiphanal encounters in Shakespearean dramaturgy.(William Shakespeare) | Literature/writing | Reid, Robert L. |
Feasting on Ayre: community, consumption, and communion in 'The Shoemaker's Holiday.'. | Literature/writing | Maynard, Stephen |
Fireworks, Turks, and long-necked mules: pyrotechnic theater in Germany and Catalonia. | Literature/writing | Harris, Max |
Garbled martyrdom in Christopher Marlowe's 'The Massacre at Paris.'(Drama and the English Reformation) | Literature/writing | Poole, Kristen Elizabeth |
'Hamlet' and 'The Life of Galileo.'.(William Shakespeare, Berthold Brecht) | Literature/writing | Rossi, Doc |
Lyly's 'Endymion' and 'Midas': the Catholic question in England. (John Lyle)(Drama and the English Reformation) | Literature/writing | Bevington, David |
Marlowe's 'Edward II' and the medieval passion play.(Christopher Marlowe) | Literature/writing | Ryan, Patrick |
Painted women: annunciation motifs in 'Hamlet.'(Drama and the English Reformation) | Literature/writing | Hassel, R. Chris, Jr. |
Pirandello, the sacred, and the death of tragedy. (playwright Luigi Pirandello) | Literature/writing | Nichols, Nina daVinci |
Stage devils in English reformation plays.(Drama and the English Reformation) | Literature/writing | Cox, John D. |
The confusions of 'Gallathea': John Lyly as popular dramatist. | Literature/writing | Cartwright, Kent |
The hybrid reformation of Shakespeare's second Henriad.(Drama and the English Reformation) | Literature/writing | Hunt, Maurice |
"The meanest man ... shall be permitted freely to accuse": the commoners in 'Woodstock.'(Drama and the English Reformation) | Literature/writing | Tipton, Alzada J. |
Trolls in Ibsen's plays.(Henrik Ibsen) | Literature/writing | Stanton, Stephen S. |
'Veritas filia Temporis': apocalyptic polemics in the drama of the English Reformation.(Drama and the English Reformation) | Literature/writing | Massey, Dawn |
Walls and scaffolds: pictorial and dramatic passion cycles in the Duchy of Savoy. (western European Alps) | Literature/writing | Plesch, Veronique |
Wavering identity: a Priandellean reading of Saadallah Wannus's 'The King Is the King.'. | Literature/writing | Said, Aleya A. |
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