| Journal of Film and Video 2001 |
| Title | Subject | Authors |
|---|
| A mixed bag: negotiating claims in MTV's The Real World. | Motion pictures | Bagley, George |
| Apocrypha meets The Pentagon Papers: the appeals to the X-Files to the X-Phile. | Motion pictures | Haggins, Bambi L. |
| Course file for "Crossing Boundaries: Diversity and Representation". | Motion pictures | Seckinger, Beverly |
| Crowd control: early cinema, sound, and digital images. | Motion pictures | Faden, Eric S. |
| Differences: the X-Files, race and the white norm. | Motion pictures | Kydd, Elspeth |
| Directing actors for the screen. | Motion pictures | Kingdon, Tom |
| Interpreting a man's world: female voices in 'Badlands' and 'Days of Heaven'.(filmmaker Terrence Malick)(Critical Essay) | Motion pictures | McGettigan, Joan |
| Method filmmaking: an interview with Daniel Myrick, co-director of The Blair Witch Project.(Interview) | Motion pictures | McDowell, Scott Dixon |
| Now you are a killer of white men: Jim Jarmusch's 'Dead Man' and the traditions of revisionism in the Western.(Critical Essay) | Motion pictures | Hall, Mary Katherine |
| Prey TV televangelism and interpellation. | Motion pictures | Howley, Kevin |
| Represented in the margins: images of African American soldiers in Vietnam War combat films. | Motion pictures | Woodman, Brian J. |
| Streetwise: rethinking motion picture arts education. | Motion pictures | Sheffield, Sandra Lee |
| Teaching media. | Motion pictures | Sabal, Rob |
| The education of women in film production. | Motion pictures | Orwin, Anne, Carageorge, Adrianne |
| The New Religious Right versus media wrongs: AFA flights temptation. | Motion pictures | Olsen, David S. |
| The pleasures of disappointment: sequels and the Godfather, Part II. | Motion pictures | Berliner, Todd |
| The professor as censor: creative limitation and film production pedagogy. | Motion pictures | Franklin, David |
| The question of Third Cinema: African and Middle Eastern cinema. | Motion pictures | Stollery, Martin |
| The X-Files and the borders of the post-cold war world. | Motion pictures | Kinney, Katherine |
| To be rather than to seem: liberal education & personal growth through documentary production. | Motion pictures | Edwards, Emily D. |
| Visible fandom: reading the X-Files through X-Philes. | Motion pictures | Wooley, Christine A. |
| What is the criterion? The Criterion Collection as an archive of film as culture. | Motion pictures | Kendrick, James |
| When victims speak (or, what happened when Spielberg added 'Amistad' to his list?).(Steven Spielberg)(Critical Essay) | Motion pictures | Lipkin, Steve |
| Working together: multicultural media literacy and "The Community". | Motion pictures | LeGrande, Suzanne, Vargas, Jocelyn Geliga |
| X-Philes: imaginations of millenial anxieties. | Motion pictures | Ramirez, John, Olsen, David S. |
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