| Comparative Drama 1997 |
| Title | Subject | Authors |
|---|
| 'Bianca de'Rossi' as play, ballet, opera: contours of "modern" historical tragedy in the 1790's.(Drama and Opera of the Enlightenment) | Literature/writing | McClymonds, Marita Petzoldt |
| Body and ritual in Farquhar. (playwright George Farquhar) | Literature/writing | Hughes, Derek |
| Canon, pedagogy, prospectus: redesigning "Restoration and eighteenth-century English drama."(Drama and Opera of the Enlightenment) | Literature/writing | Bevis, Richard |
| Castrati, Balzac, and BartheS/Z. (novelist Honore de Balzac, literary critic and theorist Roland Barthes)(Drama and Opera of the Enlightenment) | Literature/writing | Noble, Yvonne |
| Code-switching in Medieval English drama. | Literature/writing | Diller, Hans-Jurgen |
| Damnable deconstructions: Vice language in the interlude. (English drama, 1570s) | Literature/writing | Somerset, Alan |
| Felt absences: the stage properties of 'Othello's' handkerchief. | Literature/writing | Sofer, Andrew |
| "Forget Scotland": plays by Scots on the London stage, 1667-1715.(Drama and Opera of the Enlightenment) | Literature/writing | Scullion, Adrienne |
| Fortunes and misfortunes of the Spanish lyric theater in the eighteenth century.(Drama and Opera of the Enlightenment) | Literature/writing | Dowling, John |
| "Haunted by places": landscape in three plays by W.B. Yeats. | Literature/writing | Schnitt, Natalie Crohn |
| Masks of the Empress: polyphony of personae in Catherine the Great's 'Oh, These Times!' (Empress of Russia's first play)(Drama and Opera of the Enlightenment) | Literature/writing | O'Malley, Lurana Donnels |
| "My charms crack not": the alchemical structure of 'The Tempest.' | Literature/writing | Simonds, Peggy Munoz |
| Sacred blood and the late medieval stage. | Literature/writing | Davidson, Clifford |
| The classical treatment of Don Juan in Tirso, Moliere, and Mozart: what cultural work does it perform? (dramatists Tirso de Molina and Moliere, composer Wolfgang Amadeus Mozart)(Drama and Opera of the Enlightenment) | Literature/writing | Canfield, J. Douglas |
| The 'Mystere d'Adam' and Christian memory. (medieval drama) | Literature/writing | Mazzaro, Jerome |
| Warren Hastings in the drama of Lion Feuchtwanger and Bertolt Brecht: contexts and connections. | Literature/writing | Bowyer, T.H. |
| Who counts in Farquhar? (dramatist George Farquhar)(Drama and Opera of the Enlightenment) | Literature/writing | Hughes, Derek |
| "Wonder not, princely Gloster, at the notice this paper brings you": women, writing, and politics in Rowe's 'Jane Shore.' (dramatist Nicholas Rowe)(Drama and Opera of the Enlightenment) | Literature/writing | DeRitter, Jones |
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