| Journal of Film and Video 1998 |
| Title | Subject | Authors |
|---|
| Checks and imbalances: political economy and the rise and rall of 'East Side/West Side'.(television program)(Critical Essay) | Motion pictures | Brook, Vincent |
| Cinematic inscriptions of Otherness: sounding a critique of subjectivity.(Critical Essay) | Motion pictures | Hausmann, Vincent |
| Different, except in a different way: marriage, divorce, and gender in the Hollywood comedy of remarriage.(Critical Essay) | Motion pictures | Gilmour, Heather |
| Empty seats: the missing history of movie-watching. | Motion pictures | Corbett, Kevin J. |
| From Hollywood to Hester Street: ghetto film, melodrama, and the image of the assimilated Jew in 'Hungry Hearts'. | Motion pictures | Konzett, Delia Caparoso |
| History revenged: Monty Python translates Chretien de Troyes's 'Perceval, or the Story of the Grail' (again).(1974 film, 'Monty Python and the Holy Grail')(Critical Essay) | Motion pictures | Murrell, Elizabeth |
| June Mathis's 'Classified': one woman's response to modernism.(motion picture writer and producer)(Critical Essay) | Motion pictures | Slater, Thomas J. |
| "Let's go places with Jimmy": James Cagney as 1930s immigrant icon. | Motion pictures | Tracey, Grant |
| Miroslaw Rogala's 'Zhou Brothers': collaboration, process, and documentation. | Motion pictures | Lellis, George |
| Sound for film: audio education for filmmakers. | Motion pictures | Lazar, Wanda |
| "Spent for us": Capra's technologies of mastery in 'Lady for a Day'.(Frank Capra)(Critical Essay) | Motion pictures | Kubek, Elizabeth |
| Television music: automaticity and the case of Mike Post.(composer of television scores) | Motion pictures | Fink, Edward J. |
| The confessing animal in 'Sex, Lies, and Videotape'.(Critical Essay) | Motion pictures | Templeton, Alice |
| The eye in the object: identification and surveillance in Samuel Beckett's screen dramas.(Critical Essay) | Motion pictures | Freund, Peter |
| 'The First Wife': an adaptation of Colette's 'The Other Wife'.(screenplay 'Variations on Colette')(Critical Essay) | Motion pictures | Tolchinsky, David E. |
| The image of the Other and the Other 'Dances With Wolves': the refigured Indian and the textual supplement.(Critical Essay) | Motion pictures | Prats, Armando Jose |
| The other living-room war: prime time combat series, 1962-1975.(Critical Essay) | Motion pictures | Worland, Rick |
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