| Journal of Film and Video 1995 |
| Title | Subject | Authors |
|---|
| Back from the sunset: the western, the Eastwood hero, and 'Unforgiven.' | Motion pictures | Prats, Armando J. |
| Camping under western stars: Joan Crawford in 'Johnny Guitar.' | Motion pictures | Robertson, Pamela |
| Cowboy wonderland, history, and myth: 'It ain't all that different than real life.' | Motion pictures | Simon, William G., Spence, Louise |
| Custer's still the hero: textual stability and transformation. | Motion pictures | Pearson, Roberta E. |
| Finding a new 'Heimat' in the Wild West: Karl May and the German western of the 1960s. | Motion pictures | Schneider, Tassilo |
| Giggles and guns: the phallic myth in 'Unforgiven.' | Motion pictures | Kelley, Susan M. |
| Parajanov's playful poetics: on the 'director's cut' of 'The Color of Pomegranates.'(Sergei Parajanov) | Motion pictures | Steffen, James |
| Politics, film studies, and the academy: a commentary. | Motion pictures | Worland, Rick |
| Pudovkin, Socialist Realism, and the classical Hollywood style.(Hollywood's impact on Vsevolod Pudovkin's film making style) | Motion pictures | Kepley, Vance, Jr. |
| Romaine Fielding's real westerns. | Motion pictures | Woal, Linda Kowall, Woal, Michael |
| Semi-documentary/semi-fiction: an examination of genre in 'Strangers in Good Company.' | Motion pictures | George, Diana |
| 'The story of Custer in everything but name?': Colonel Thursday and 'Fort Apache.' | Motion pictures | Neale, Steve |
| Up close and in motion: Volvo invents cubist television. | Motion pictures | Miles, David H. |
| Using theatrical acting techniques in the production of short films. | Motion pictures | Viera, Maria |
| Visiting filmmakers: why bother? | Motion pictures | MacDonald, Scott |
| Ways of seeing the Intifada: the case of Nahalin.(Western media's depiction of problems in developing nations) | Motion pictures | Loshitzky, Yosefa |
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