| American Craft 1997 |
| Title | Subject | Authors |
|---|
| Abrasha.(Abrasha's jewelry and metalcraft creations) | Home and garden | Cohn, Terri |
| Alma Wallace Lesch. (fiber art, Kentucky Art and Craft Gallery, Louisville, Kentucky) | Home and garden | Ogden, Anne Brewer |
| American Craft Council Awards.(1997) | Home and garden | |
| American expressions.(contemporary native American metalwork) | Home and garden | Coulter, Lane |
| Beatrice Wood. (insights into the work of earthenware artist Beatrice Wood) | Home and garden | |
| Book smart in Racine, Wisconsin. | Home and garden | Lovelace, Joyce |
| Brave new ceramics. | Home and garden | Walker, William J., Jr. |
| !Calido! Some like it warm. | Home and garden | Lebow, Edward |
| Dawn MacNutt. (Art Gallery of Nova Scotia, Halifax) | Home and garden | Hammock, Virgil |
| Dona Look: the art of containment. | Home and garden | Paine, Janice T. |
| Gyongy Laky: the intelligent hand.(woven sculptures) | Home and garden | Santiago, Chiori |
| Howard Werner.(Snyderman Gallery, Philadelphia, Pennsylvania) | Home and garden | Metcalf, Bruce |
| In conversation: Viktor Schreckengost/William Daley. (interview with Viktor Schreckengost and William Daley on their contribution to the field of industrial and crafts design)(Interview) | Home and garden | |
| Keeping vigil: jewelry, touch and physical engagement. (the role of crafts in retaining the human soul through the dissociation effected by technological innovations) | Home and garden | Ramljak, Suzanne |
| Maestro Lino.(Italian glassblower Lino Tagliapietra) | Home and garden | Marquis, Richard |
| Marian Clayden: the dyer's hand.(Marian Clayden's textile paintings) | Home and garden | Leventon, Melissa |
| Michael Hurwitz. (furniture maker) | Home and garden | Rush, Michael |
| Missy Stevens: intimate visions. | Home and garden | Chambers, Karen S. |
| Naked truth: the figurative sculpture of Esther Shimazu. | Home and garden | Lauria, Jo |
| Outsider-in: Ronna Neuenschwander's African journey.(a description of Ronna Neuenschwander's sculptures influenced by her experiences in Africa) | Home and garden | Gragg, Randy |
| Recalling Asilomar. (recounting the gathering of modern craft artists in the Asilomar conference) | Home and garden | Lovelace, Joyce |
| Richard Devore.(Max Protetch Gallery, New York, New York) | Home and garden | Schwabsky, Barry |
| Richard Jolley: reflection of a classic ideal. (insights into the glass works of artist Richard Jolley) | Home and garden | Byrd, Joan Falconer |
| Roberta and David Williamson. (insights into the works of pin designers Roberta and David Williamson) | Home and garden | Koeninger, Kay |
| Rooted in Chicago: fifty years of textile design traditions. | Home and garden | |
| Signals: the body as the ultimate medium of worldly exchange.(American jewelry) | Home and garden | Mannisto, Glen |
| Still clay.(still life ceramics) | Home and garden | Santiago, Chiori |
| The double-edged blade.(Phillip Baldwin and his art of making steel blades) | Home and garden | Miller, Bonnie J. |
| The face of type.(part 1) | Home and garden | Lebow, Edward |
| Thomas Gentille. (Helen Drutt, Philadelphia, Pennsylvania) | Home and garden | Simon, Marjorie |
| Through the looking glass - art critic in the land of crafts. | Home and garden | Hess, Elizabeth |
| Type: the newest of the old. (part 2)(metal type) | Home and garden | Lebow, Edward |
| Wayne Higby. (porcelain sculpture, Helen Drutt, Philadelphia, PA) | Home and garden | Rice, Robin |
| White on white.(white ceramics) | Home and garden | McPherson, Anne, Jefferies, Susan |
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